Artists (Cast) : Arjun Kapoor, Parineeti Chopra
Producer : Aditya Chopra
Director : Habib Faisal
Music Director : Amit Trivedi

Habib Faisal's directorial debut DO DOONI CHAAR, starring Rishi Kapoor and Neetu Kapoor, depicted the aspirations of a middle-class family. It won immense critical acclaim, appreciation of the viewers and the Best Hindi Film National Award. Now his second film ISHAQZAADE has generated tremendous buzz thanks to its raw and edgy trailers, likable music and also for its setting -- the Hindi belt where guns still reign supreme. And you aren't disappointed either, for the film meets the lofty expectations, assuring you that the 2+ hours were well worth it!

Yash Raj Films returns to the era of action after a hiatus, but they have not done away with their core USP, romance, as ISHAQZAADE is a passionate love story, which is the emphasizing theme of the film. In fact, ISHAQZAADE is not only about aggression and romance, you also get a glimpse of the arrogance and conceit of people in small towns in India.

The story unfurls in the idealistic and intimidating scenario of North India. ISHAQZAADE depicts the love story of two defiant, rebellious individuals. A passionate love story ignited by extreme dislike. It revolves around two disputing political families, two fiery individuals and their battle for control and superiority. The two characters, Parma [Arjun Kapoor] and Zoya [Parineeti Chopra], who have been told since early days to detest each other, are almost equipped to eradicate each other and then something happens in their life post which they realize they are actually quite alike. They start wondering when we both are so similar in our personality and stance, why have we got this extreme dislike for each other?

In such a setting, when two people, who have been loathing each other all this while, fall in love, things go askew.

The chemistry between Arjun Kapoor and Parineeti Chopra on screen certainly follows the model of the chemistry that was created in DILWALE DULHANIA LE JAYENGE, BUNTY AUR BABLI and BAND BAAJA BAARAAT. It's infectious and that, in my opinion, is the hallmark of the film, besides the script of course. In the initial portions, both Arjun and Parineeti are at loggerheads, bartering cusswords, flaunting guns and trying to be one-up on the other. Their love story towards the middle of the first part is equally electrifying and the portrayal by Arjun and Parineeti gives the film the required sheen.

The post-interval portions have several euphoric moments. The heated conversation involving Arjun's mother and the aftermath is brilliantly penned and executed. Ditto for the sequence when Arjun apologises to Parineeti in this hour. It's truly emotional! The only hitch is that the film slows down before it reaches the finale thanks to some unwanted sequences [the sequence in the laboratory] and some songs in this hour. The culmination to the film is a highpoint and mirrors a reality as well.

Habib Faisal belongs to a fresh class of writers and film-makers who does away with the beaten to death drama that one gets to watch in films of this genre. Filmed at actual locations of Uttar Pradesh, the story of ISHAQZAADE has universal appeal and could have been set in any of the big cities, but the small town milieu lends the plot a kind of passion missing in large metros. Perhaps, the magnetism towards love is that much stronger in a small town, also the conflict of the people opposing love is manifold stronger likewise.

Amit Trivedi, one of the most gifted and skilled musical talents, comes up with a harmonious and pleasant-sounding album. 'Ishaqzaade', 'Pareshan', 'Aafton Ke Parinde and 'Chokra Jawan' -- each of those tracks are popular already. The best part is, the songs of ISHAQZAADE have not been filmed on romantic landscapes, but at humdrum locations, which makes it so real and very much in sync with the mood of the film. I'd like to make a special mention of the cinematography [Hemant Chaturvedi], which captures the essence of North India and the rustic flavor so well. The background score [Ranjit Barot] adds a lot of pep, while the action and chase sequences [Sham Kaushal] are wonderful.

Arjun Kapoor makes a fantastic debut. He has a peerless body language and a 'I-don't-give-a-damn' kind of an approach in the movie. The youngster, with his untidy look and impish smile, has already won female reverence prior to the release of the film and after having watched him emote, you can confidently say that he's blessed to depict this rebellious character in his launch vehicle itself. He comes across as fiery and rustic and at the same time self-assured and assertive in this reckless and intrepid character.

To acquire a film of this scale and magnitude is a triumph by itself for a beginner, for a script and character like this happen once in a while. Parineeti Chopra is simply fantastic in this high-voltage drama. Playing the part of a spirited gun-toting girl, she is not the regular timid, decorous, withdrawn Hindi film heroine. She portrays the violent behavior coupled with the audacious and brash attitude with aplomb.

Gauhar Khan is lovely in a special role. Also, she dances very well in the two tracks. Anil Rastogi [as Arjun's grand-father], Natasha Rastogi [as Arjun's mother] and Ratan Rathore [as Parineeti's father] are natural to the core.

On the whole, ISHAQZAADE, a volatile and intense story with ample doses of fanatical romance, should appeal to a pan-India audience. This broadly engaging love story has a winsome pair who deliver dexterous performances, besides popular music and several poignant moments, which should appeal to fans of mainstream films. Go for it!

The result of west bengal joint entrance examination will be published 17/5/2012 after  1 a.m.

The chairman of wbjee has declared that

Cast:Karisma Kapoor, Rajneesh Duggal, Jimmy Sheirgill, Ruslaan Mumtaz, Arya Babbar, Divya Dutta
Director: Vikram Bhatt
Banner: Reliance Entertainment,BVG Films,Dar Motion Pictures

After making a series of horror films, Vikram Bhatt enters a new zone with DANGEROUS ISHHQ. This one's about Past Life Regression.
For those not conversant with it, Past Life Regression is one's expedition, through meditation or hypnosis, into your previous birth. An unsolved past life experience could be distressing in one's current life. Past Life Regression or Therapy can significantly aid the person in understanding these problems and help them reclaim the quality of life by understanding and altering the root causes of these symptoms. In DANGEROUS ISHHQ, Karisma Kapoor attempts to unravel, through Past Life Regression, the mystery adjoining her past lives.
But this isn't the first Indian film on this topic. SONAR KELLA aka THE GOLDEN FORTRESS, helmed by the master storyteller Satyajit Ray, was, to my knowledge, the first film to tackle this issue on celluloid. It narrated the story of a small boy who remembered events of his past life. He even mentioned precious jewels in a golden fortress, drawing sketches of battles he had seen.
The strength of DANGEROUS ISHHQ lies is its attention-grabbing plot, which the Indian masses can relate to instantaneously. With Vikram Bhatt at the helm of affairs, who specializes in narrating taut thrillers, you can be assured of a riveting plot with several heart-in-the-mouth moments. But, alas, it's the screenplay that throws a spanner, with the over-stretched second hour and a formulaic conclusion ruining what Vikram had meticulously put together in the first half.
Supermodel Sanjana [Karisma Kapoor] and Rohan [Rajneish Duggal], son of a business tycoon, are one of the most popular couples on the social circuit. When Sanjana decides against flying to Paris at the last minute for a lucrative modeling assignment, she does so not just because she cannot bear to stay away from her boyfriend Rohan, but because her instincts push her against going. But what her instincts cannot do is stop Rohan from getting kidnapped.
The high-profile kidnapping creates chaos in Sanjana's life. The kidnappers demand INR 50 crores. Time is of utmost essence. Death stares Rohan in the eye. It is in this extreme trauma that Sanjana discovers something extraordinary. She sees visions of them together -- sometime in the past -- in different eras.
She is confused initially, but in her visions lies definitive clues that could lead her to save the love of her life. As she follows clue after clue, she gets closer and sometimes further away from the love that has been eluding her through the ages. Would she be able to unravel the past to save her future? Would she be able to rescue her love and expose his true captors?
DANGEROUS ISHHQ has an intriguing plotline and writer Amin Hajee ensures that he keeps the viewer's interest alive by incorporating episodes that keep you captivated. The sequence at the hospital -- Karisma spots a badly injured Rajneish and the portions that follow subsequently -- set the ball rolling. The shifts between the past and present, nightmare and actuality are well done. The plot becomes more and more stirring as the reels unfurl, with the portions in the first hour so perfectly executed that one buys into it each stride of the way.
But the movie plummets in the post-interval portions. It's not the execution of the material that's faulty, but the screenplay that gets taxing and boring after a point. The Rajasthani episode in this hour has brilliant moments, but at the same time the Meerabai track [portrayed by Gracy Singh] is least convincing. The graph actually goes downhill during the concluding portions, when Vikram Bhatt and writer Amin Hajee decide to unravel the mystery and zero in on the person responsible for the kidnapping. It's at this point that the film falls like a pack of cards.
Since different eras are being explored, it is imperative that Vikram Bhatt captures the spirit of each period appropriately and though he makes a sincere effort, the writing gives away after a point. Besides, what baffles me is the usage of 3D here. Believe me, there's not much justification for opting for 3D in DANGEROUS ISHHQ and barring a scene or two, the 3D enthusiasts are sure to be disappointed.
Himesh Reshammiya's music in DANGEROUS ISHHQ is strictly okay. Barring 'Tu Hi Rab Tu Hi Dua', none of the songs have the lasting power to linger in your memory. Girish Dhamija's dialogue are functional.
Karisma Kapoor puts forth her best efforts, getting to deliver lines in varied dialects. She gets the dialects right, especially Urdu and Rajasthani, but there's not much scope for her to display her acting prowess. Rajniesh Duggal gets some scope initially, but is sidelined completely in the second hour. Jimmy Shergill impresses as the cop. Divya Dutta does very well, but, again, gets no scope after a point. Ruslaan Mumtaz, Aarya Babbar and Samir Kochhar have bit roles. Ravi Kishan leaves an impression, while Natasha Sinha is perfect. Gracy Singh appears incredibly phony as Meerabai.
On the whole, DANGEROUS ISHHQ is no patch on Vikram Bhatt's earlier achievements. This fantasy-driven film is an epic disappointment! 

*Rating*~ 3/10

Reviewed by Subham Bhattacharya

Calcutta suffered the hottest May 14 in a decade on Monday and Mamata Banerjee’s heart melted at the thought of schoolchildren stepping out in such heat, resulting in an early summer break for state-run and aided schools from Tuesday. Education minister Bratya Basu had made the special announcement — government schools have to start their vacation from May 15 — at Bikash Bhavan late in the afternoon. Basu’s announcement had triggered confusion over whether the decision to declare an early summer vacation was applicable to private schools as well. An education department official later clarified that it was for government and aided schools, though private institutions were free to follow suit. Some private schools in town are anyway scheduled to close for summer on Tuesday. For a few more, the break starts next week. Although the government has spared children the torture of going to school during the worst phase of summer, many government and aided institutions might still be open on Tuesday. “We have yet to receive a copy of the government order, so we will have to keep the school open tomorrow. It is indeed very uncomfortable for the students, but we need to follow protocol,” said Rupak Hom Roy, the principal of Ballygunge Government High School.

Reported by Soumya Safui

Mainak Bhaumik is a new genaration film director in bengali film industry.

He used to live in NewYork during his childhood. He also have spent some time living in his mother's parental house in Santragachi,but now one of the best director in tollywood,MainakBhoumik lives in south kolkata with his family.

He started his educational life at NewYork. he have studied at St.xavier's nd International school of kolkata. After his schooling he went to NewYork to complete his graduation in Economics.

His first Bengali Movie is 'Aamra" and after that he has produced 'Rang Milanti' a huge blocbluster .He have delivered another hit 'Bedroom' with PouliDam and Parno Mitra in lead.he also have acted in Anjan Dutta's 'Bong Connection'. This new generation film editor and director  have directed some few more hit like 'Mach Misti & More','Ami Vs Tumi','Char Dewal' etc.

BTAN (WERBANGALI)-------- Every actress have there own sory about how she became a actress, so what was the story of yours?
NUSRAT------------- It was a very simple fact for me , as lke a simple lady become a actress just like a fairy tale, so i didn't had to struggle much. the offer came very sudden, i gave a interview , gave a audition to Raj da,then Raj da felt that I could have been an actress and today i am an actress with the blessings of everyone.
BTAN (WERBANGALI)-------- In childhood everyone had a dream , did you had any dream of becoming an actres?
NUSRAT------------- I used to change me dream every year. in my childhood i had dreamt of becoming a doctor, when i greaw up a little i dreamt of becoming software engineerand after that when i done my MBA I had dreamt of becoming a corporate wemen, but in between those different dreams , when i used to see the mirrior , i used to get stuck. I love to see myself on mirrior, like to act infront of mirrior. After that i realise that i was meant to this professin.
BTAN (WERBANGALI)-------- How did you prepared yourself for 'SATRU'?
NUSRAT------------- I had done my workout very much,I had worked very hard. Before i was a little bid fat,so i loosen 8 kgs had worked out two times a day,controlled my diet. after working that hard I started the film.
BTAN (WERBANGALI)--------How important was 3rd june 2011 for you?
NUSRAT------------- It was like a dream but i was prepared, i knew that the film can naver flop after giving such effort. A lot of effort have been given so even God can not make it a waste.The film was a super hit and what i have been today is because of 'SATRU'.
BTAN (WERBANGALI)--------on premier, when you were not abling to get of the car then how was new selebrity Nusrat Jahan feeling?
NUSRAT------------- nusrat jahan then already had steped into her dreamland.
BTAN (WERBANGALI)--------what is tge different between common nusrat and actress Nusrat Jahan?
NUSRAT------------- Nothing i am just ordinary.
BTAN (WERBANGALI)--------Satru is your first film, any other particular incident you have remembared?
NUSRAT-------------Each and every moment was memorable ,could not tell about any particular incident. We used to make a lot of fun in set. A actor like Jeet da ,very carey, used to guide me very well, I never felt like a outsider or a newcomer.
BTAN (WERBANGALI)--------People have never tested Nusrat Jeet chamistry before, and on the other hand Deb Koyel pair was quite successfull . When you heard that 'PAGLU' and 'SATRU' was relising on the same day, how much that news make you warried for a day or a moment?
NUSRAT-------------Being true , that did make me worried . i know how successful they are but Rajda have more confidence about me than myself and i was confident of Raj da. people want fresh thing, every one felld happy when they see something fresh, and it happened,it created a magic.
BTAN (WERBANGALI)--------whom do you want to dadicate ypur success?
NUSRAT-------------At first i want to dedicate my success to God, to Raj da, to every persone who helped me,my co stars and last to me because if i would have lost hope then i could never give such a performence .
BTAN (WERBANGALI)--------what is your future plan? if you want to share.
NUSRAT-------------There are many plans.In between i had take a small break because i badly needed a break. Many thinks that in this time no one offered Nusrat a film or for some reason Nusrat's career have been down but they know that how many film I have rejected every day . I am waiting for a good project and a dream project.My lounch was huge with large posters so i dont want to hurt that repudation so i am waiting but i swear to my viewers that they will see me very soon.
BTAN (WERBANGALI)--------If  'bhooter raja' wants to give yaou three boons , then what will those be?
NUSRAT-------------( laugh )..... ok give me some time I will tell you tomorrow.
BTAN (WERBANGALI)--------Three best bengali cinema you have been seen ?
NUSRAT-------------( thinks a bit ) 'amanush','chokher bali', and 'anuranan'.
BTAN (WERBANGALI)--------Best song must have been 'jaliya puriye'....
NUSRAT------------- Yes
BTAN (WERBANGALI)--------If some one asked you to do remake of any bollywood or tollywood film , then what will you choose?
NUSRAT-------------In bollywood i would like to do the remake of 'dilbale dulhoniya le jayenge' in tollywood there are many classics and I dont want to tamper any classics, what would i remake a bengali film in bengali?We shoud not temper any classics.
BTAN (WERBANGALI)--------Fan club lounch after a film , a huge ceremony in press club sponcered by two companies, sponcered be werbangali.A gift like that in your birthday in this january 2012
NUSRAT-------------there couldn't have been such a huge gift like that. I am realy realy thankful to weRbangali and nusrat jahan fan club who lunches my website, lhere love and certainly there believe for what i have been standing tall now. i know they would  have this believe for me in future because they love me, so then we all have a blast.
BTAN (WERBANGALI)--------Will you do any hindi film if offered?
NUSRAT-------------I had got but did not did it because i want to remain in bengali film for now.
BTAN (WERBANGALI)--------Your fans wants to see you in silver screen again so have you any massage?
NUSRAT-------------I will say them that 'sabure mewya fale'. So i think they have to wait a little because if the want to see Nusrat as NUsrat,then they have to keep faith in Nusrat's believeand when they will do it which i know that the will, then they would not feel any sorrow to wait a little.They will see me very soon in a different charecter.
BTAN (WERBANGALI)--------Fevorite dish?
NUSRAT-------------Biriyani and any thing my mom cooks.
BTAN (WERBANGALI)--------What is your fevorite TV show?
NUSRAT-------------I dont like to wath TV very much.
BTAN (WERBANGALI)--------Fevorite hero?bollywood or tollywood  any one.
NUSRAT-------------In bollywood it is Salman and in tollywood it is Uttam Kumar.
BTAN (WERBANGALI)--------What will you choose between Uttam Kumar and Suchitra if asked?
NUSRAT-------------Both are great ,this pair is hit and my fevorite.
BTAN (WERBANGALI)--------Jeans or sarri?
NUSRAT-------------Both but it depends on situation.
BTAN (WERBANGALI)--------Kajal or glasses?
NUSRAT-------------Both . In home kajal and in outdoor its glasses.
BTAN (WERBANGALI)--------Bumbada or Dev?
NUSRAT-------------i want both of them , i could not choose, whoever helps me , he comes first.
BTAN (WERBANGALI)--------Phucka or meat?
NUSRAT-------------Phucka.
BTAN (WERBANGALI)--------Tollywood or Bollywood?
NUSRAT-------------Tollywood.
BTAN (WERBANGALI)--------Romantic or action film?
NUSRAT-------------Heroin have les to do in action film so i like romantic film.
BTAN (WERBANGALI)--------You hav beigin your career with Jeet Da. So if you want to work with him again then what wiil be your's massage to Jeet Da?
NUSRAT-------------If we wark again ,then there would be no massage.Jeet Da is a different human beaing all togethar. I dont take him only as a super star,he is my guide and it is my good luck.

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Hridoye Lekho Naam
Produced by :: Goutam Saha
Music :: Goutam Ganguly
Director :: Dayal Acharjee
SInger :: Goutam Susmit
Courtsey :: Green High Devolopment Pvt. Ltd

Halls ::

Minar, Bijli, Chhobighor, Binodini Baguihati, Bichitra Burdhwan,Milani Bosirhat, Rupchhaya Berachapa, Banashri Bonga, Purbasha Masalndopur, Kalika Howrah, Rupchhobi Domjur, Krrishna Baruipur, Pakija Bhangarbaazar, Shitala Narkelbag, Milanshri Bishnupur, Rajlaxmi Ganeshpur, Rupmandir Belghodia, Piyasi Nandakumar, Gyanoda Mayna, Shibani Bagnan, Diamond Takij Diamond Harbour, Kakli Pandua, New Cinema Shiligudi, Shrima Tufangong, Ruapli Burdhwan, Sagarika Demathani, Kalpana Baharampur, Chhayabani Roghunatthgongm, Radha Chitramandir Sagardighi, Lalgola Takij, Pikadili Debgram, Karunamoyi Hisabi, Jayanti Dongaria, Biraj Krishna nagar, Biman Panchgram, Newmitali Beledanga, Oyelington Andul, Padma Sodpur, Bijowa Barasaaat, Joyma Kalna, Shrirampur Takij, Apsara Bengram, Mini Mohamaya, Suroshri Bauriya, Mini Monoj Asansole, Shanti Shaithiya, Raj Amtala, Rupashri Tomluk, Alchhaya Nowadwip, Lipi Shibpur, Notraj Malda, New Cinema kochbihar, Basanti Belmudi, Babua Netai, Ilora Chamapahati, Bharti Ghotal

Nandan 1 - 6.15pm, Priya - 7.15 , Mitra 12.00 , Star - 8.15 , Dorpona - 2.45/5.45/8.30 , Jowa Laketown - 7.30 / Jowa Barasat - 1.30pm/6.10 , Purobi - 2.30/5.30/8.30 , Ajanta - 6.50 , Ilora - 2/5/8, Bioscope - Rajarhat 1.15/Durgapur , Bigcinema - Saltlake, Bradway Kolkata - 4.10, Cinemax Kolkata 7.30, Chetna Dumdum - 5.00, Inox Dorum - 7.15/ City Center 3.00/ Shwabhumi - 5.15, Rajarhat 3.15, Fame Southcity 7.50 / Highland Park - 5.00 , Inox Lilua - 7.00 , Durgapur - 5.00, Burdhwan - 5.00, Shiligudi 1 - 1.00/Shligudi 2 - 3.15, Jayanti Barackpur - 2.15, Milan Baruipur , Bani Cinema Joynogor, Gitanjale Bolpur - 6.15, Sanskrit Metro, SUjata bagnan, Falguni Bosirhat, Songiti Katowa, Ilex Asansole, Udawon Sherafuli, Hritwik Swadan, Mansi Mecheda, Shyama Bishnupur, PVR Avenue, Ananda Memari

Director :: Srijit Mukherji
Music Director :: Anupam Roy
Cast :: Parambrata Chatterjee, Koel Mullick, Dipankar De, Roopa Ganguly, Shilajit, Anindita Bose, Saheb Chatterjee
Guest Appearance :: Soumitra Chattapdhyay, Sabitri Chatterjee. Sabyasachi Chakravorti, bratya Basu, Raj Chakravorti, Sohad Sen, Barun Chanda, Priyank
Special Appearance :: Jeet
Production House :: Shree Venkatesh Films Pvt. ltd
Producer :: Srikant Mahta, Mahendra Soni

After Autograph and Baishe Srabon, Srijit Mukherjee is ready with his next flick Hemlock Society. This film if everything goes accordingly, will be another signature blockbuster of Srijit. As the promo suggests, a line up of huge star casts, a very different heart touching story line, acting of the casts, dialogues, music and of course the direction is going to be the USP of the film. Looking at the promo and giving a glance at the story, it can be said that this film is once in a lifetime film about love, life and death and the desperation of human beings revolving around this 'holy trinity'.
Hemlock Society stars Parambrata Chatterjee, Koel Mallick, Rupa Ganguly, Dipankar De, Soumitra Chatterjee, Sabitri Chatterjee, Sabyasachi Chakraborty, Saheb Chatterjee, Bratya Basu, Shilajit Majumdar, Barun Chanda, Sohag Sen, Anindita Bose, Biswajit Chakraborty and more. According to me, Koel has done the best acting of her career till now in this film.
Parambrata plays Ananda who runs a school where teachers offer training on methods and equipment to folks who want to exercise their right to die and commit suicide who are disgusted with their life. Koel Mullick plays Meghna who enrolls herself in this school, thus running into Ananda.  He develops a bond or a relationship with Meghna, a depressed and dejected woman, and what follows is an unforgettable and life-changing journey for both.
Anupam Roy is the music director in this film. Looking at the promo, the music of the film can be said very much situational. The feelings that the lyrics and melody carries makes the songs worth listening. The songs are sung by Lopamudra Mitra, Shiljit, Anupam Roy, and Rupam Islam. After very successful ventures of beche thakar gaan and ei srabon Anupam Roy-Rupam Islam pair is back again with a new song. There are about 5 songs in the film.
Thus, all these traits make the film a must watch for all. It can be said many of us will find or will be able to match their own life with the story of this reel film as we revolve around the 'holy trinity' of love-life-death in real life also. The film is expected to release in June and its music in May. Be there at your nearest cinema halls to celebrate life,love and if possible, death

Tracks ::-

1. Amar Mawte - Female
2. Ekhon Onek Raat
3. Eito Ami Chai
4. Jawl Phoring
5. Amar Mawte - Male
6. Phiriye Dewar
7. Hemlock Society